ORIENTAL JAZZ

Now Playing

Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

SKU	111283
Artist	LLOYD MILLER
Title	ORIENTAL JAZZ
Label	NOW AGAIN
Catalog #	NA 5183LP
Tag	Jazz
Release	W 50 - 2019
Format	Vinyl - USLP
€ 32,99	incl. VAT, excl. shipping

Tracks

Gol-E Gandom
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-01-01_0.mp3
Njonja Mirah & Yona
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-01-02.mp3
Tanya
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-01-03.mp3
Guzel Gozler Or Amber Eyes
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-01-04.mp3
Natanie
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-01-05.mp3
Hue Wail
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-02-01.mp3
Njonja Mirah & Yona (Second version)
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-02-02_0.mp3
Impression Of Bhairava Raga
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-02-03.mp3
Prelude To The Iranian Mode Shur
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-02-04.mp3
Pentalogic
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-02-05.mp3
Sahar-E Meh-Alude Or Early Morning Mist
LLOYD MILLER
https://objectstore.true.nl/rushhourrecords:files/tracks/n/na_5183lp_oriental_jazz/sf756231-01-02-06_0.mp3

Description

Stunning oriental jazz influenced LP.., this reissue is a beauty from start to end. Grab it. period.

Reissue from this landmark 1968 album, combining a cool, modal style with the exotic arrays of instruments and styles that Miller had picked up during,his travels in the east (His father being employed for the iranian Shah for s short period of time).

Miller included songs he’d cut with Gilson in his Parisian studio years before, and a solo piano piece that he recorded in one of the,school’s practice rooms. Despite Lloyd’s professed aversion to modernity, there nevertheless is something strikingly new sounding about this,music, which fits together in startling juxtapositions. Traces of Bill Evans, Stan Getz and Jimmy Giuffre rub shoulders with Persian santur, Arab oud ,and Turkish saz music.