PLEASE TOUCH by RROSE

SKU129054
ArtistRROSE
TitlePLEASE TOUCH
LabelEAUX
Catalog #EAUX 1691
Tag
ReleaseW 30 - 2023
FormatVinyl - UK2LP
 € 28,50 incl. VAT, excl. shipping

Tracks

  1. joy of the worm
    https://objectstore.true.nl/rushhourrecords:files/tracks/e/eaux1691_please_touch/01_joy_of_the_worm_-_rrose.mp3
  2. rib cage
    https://objectstore.true.nl/rushhourrecords:files/tracks/e/eaux1691_please_touch/02_rib_cage_-_rrose.mp3
  3. pleasure vessels
    https://objectstore.true.nl/rushhourrecords:files/tracks/e/eaux1691_please_touch/03_pleasure_vessels_-_rrose.mp3
  4. spore
    https://objectstore.true.nl/rushhourrecords:files/tracks/e/eaux1691_please_touch/04_spore_-_rrose.mp3
  5. feeding time
    https://objectstore.true.nl/rushhourrecords:files/tracks/e/eaux1691_please_touch/05_feeding_time_-_rrose.mp3
  6. spines
    https://objectstore.true.nl/rushhourrecords:files/tracks/e/eaux1691_please_touch/06_spines_-_rrose.mp3
  7. disappeared
    https://objectstore.true.nl/rushhourrecords:files/tracks/e/eaux1691_please_touch/07_disappeared_-_rrose.mp3
  8. the illuminating glass
    https://objectstore.true.nl/rushhourrecords:files/tracks/e/eaux1691_please_touch/08_the_illuminating_glass_-_rrose.mp3
  9. turning blue
    https://objectstore.true.nl/rushhourrecords:files/tracks/e/eaux1691_please_touch/09_turning_blue_-_rrose.mp3

Description

The nine tracks on 'Please touch' drift across tempos from a weightless 0 bpm to a crawling 100 to a lunging 140 and back, with a rich palette of sculpted noise and cross-talking microtones.

The album splits its time between radical techno iterations and pieces which pare back the percussion, letting the synth textures uncurl in their own time and space. The quivering drone and rolling sub-bass of "Joy of the Worm'' set the tone for the record, while "Rib Cage," Spore" and "Spines " swing with stepping rhythmic underpinnings. Building with finely calibrated tension, they use their few elements to startling, snarling effect. "Pleasure Vessels" is a rare moment of becalmed introspection in Rrose's oeuvre, hinting at a melodic ambiance that is practically unseen in previous works. It glows with a soft, dawn-like light before dissolving into a tidal fizz. "The Illuminating Glass'' brings the tempo down to a languorous chug, nodding its way through a field of glistening chirps and leaden gasps. "Feeding Time," "Disappear" and album closer "Turning Blue'' meanwhile nod to the cerebral psychedelia of Rrose's forebears, with mesmeric, looping textures and long, magisterial tones not dissimilar to the spectral works of James Tenney (whose work Rrose regularly performs) and the deep listening pieces of Pauline Oliveros.

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